Hip hop music - Wikipedia
Use a rap line as a pick up line. Follow. Upvote +8 Downvote Moclanwysoqqjqkfojau. Rapfanatic . Upvote +0 Downvote. romantically tho this entire song. I know about a show that we can catch, some R&B and rap, and you should come through." "Hey, you're like a hip-hop song, you know?/. 9. I look for ways to say 'I love you' But I ain't into makin' love songs. — A$AP Rocky, “L$D” . The 10 Worst Rap Lyrics Of All Time.
Billboard Hot —the song itself is usually considered new wave and fuses heavy pop music elements, but there is an extended rap by Harry near the end. Drum-machines and samplers were combined in machines that came to be known as MPC 's or ' Music Production Centers ', early examples of which would include the Linn The first sampler that was broadly adopted to create this new kind of music was the Mellotron used in combination with the TR drum machine.
As well, the art of Jamaican toastinga style of talking or chanting into a microphone, often in a boastful style, while beats play over a sound systemwas an important influence on the development of hip hop music.
Toasting is another influence found in Jamaican dub music.Chennai Times – Flirt with Your City Rap
Ali influenced several elements of hip hop music. Both in the boxing ring and in media interviews, Ali became known in the s for being "rhyming trickster" in the s.
Ali used a " funky delivery" for his comments, which included "boasts, comical trash talk[and] the endless quotabl[e]" lines.
13 Times Hip-Hop Taught Men to Respect Women
Rappers may write, memorize, or improvise their lyrics and perform their works a cappella or to a beat. However, the majority of the genre has been accompanied by rap vocals, such as the Sci-fi influenced electro hip hop group Warp 9. Early popular radio disc jockeys of the Black-appeal radio period broke into broadcast announcing by using these techniques under the jive talk of the post WWII swing era in the late 40's and the 50's.
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It was there he perfected the dozens, signifyin' and the personality jock jive patter that would become his schtick when he became the first black radio announcer on the air south of the Mason—Dixon line.
They were also finding other D. J's emulated the southern 'mushmouth' and jive talk, letting their audience think they too were African-American, playing the blues and Be-Bop.
30 Fly Raps That Are More Romantic Than Any Famous Quote About Love | Thought Catalog
J's at the station. Hep Cat's rhymes were published in a dictionary of jive talk, The Jives of Dr. Jockey jack is the infamous Jack the Rapper of Family Affair fame, after his radio convention that was a must attend for every rap artist in the 80's and 90's  These jive talking rappers of the 50's black appeal radio format were the source and inspiration of Soul singer James Brownand musical 'comedy' acts such as Rudy Ray Moore, Pigmeat Markham and Blowfly that are often considered "godfathers" of hip hop music.
Jamaican origins of outdoor sound systems AM radio at many stations were limited by the 'broadcast Day' as special licenses were required to transmit at night. Those that had such licenses were heard far out to sea and in the Caribbean, where Jocko Henderson and Jockey Jack were American DJ's that were listened to at night from broadcast transmitters that were located in Miami, Florida.
In Jamaica, DJ's would setup large sound systems in towns and villages out on the roadside, playing music for informal gatherings, mostly folks who wandered down from country hills looking for excitement at the end of the week.
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It was by this method that Jive talk, rapping and rhyming was transposed to the island and locally the style was transformed by 'Jamaican lyricism', or the locals patois. Hip hop as music and culture formed during the s in New York City from the multicultural exchange between African-American youth from the United States and young immigrants and children of immigrants from countries in the Caribbean.
Recordings of talk-over, which is a different style from the dancehall's DJ style, were also made by Jamaican artists such as Prince Buster and Lee "Scratch" Perry Judge Dread as early assomehow rooted in the 'talking blues' tradition. The Jamaican DJ dance music was deeply rooted in the sound system tradition that made music available to poor people in a very poor country where live music was only played in clubs and hotels patronized by the middle and upper classes.
Although other influences, most notably musical sequencer Grandmaster Flowers of Brooklyn and Grandwizard Theodore of the Bronx contributed to the birth of hip hop in New York, and although it was downplayed in most US books about hip hop, the main root of this sound system culture was Jamaican. Later, the MCs grew more varied in their vocal and rhythmic delivery, incorporating brief rhymes, often with a sexual or scatological theme, in an effort to differentiate themselves and to entertain the audience.
These early raps incorporated the dozens, a product of African-American culture. Grandmaster Flash Often these were collaborations between former gangssuch as Afrikaa Bambaataa 's Universal Zulu Nation —now an international organization. Melle Mela rapper with The Furious Five is often credited with being the first rap lyricist to call himself an "MC". The style was documented for release to a worldwide audience for the first time in documentaries and movies such as Style WarsWild Styleand Beat Street.
The term "B-boy" was coined by DJ Kool Herc to describe the people who would wait for the break section of the song, getting in front of the audience to dance in a distinctive, frenetic style.
Most early hip hop was dominated by groups where collaboration between the members was integral to the show. Pictured is Chic at a concert. Hip hop music was both influenced by disco musicas disco also emphasized the key role of the DJ in creating tracks and mixes for dancers. As well, hip hop from the late s used disco tracks as beats. At the same time, hip hop music was also a backlash against certain subgenres of late s disco.
While the early disco was African-American and Italian-American -created underground music developed by DJs and producers for the dance club subculture, by the late s, disco airwaves were dominated by mainstream, expensively recorded music industry -produced disco songs. According to Kurtis Blowthe early days of hip hop were characterized by divisions between fans and detractors of disco music.
Hip hop had largely emerged as "a direct response to the watered down, Europeanised, disco music that permeated the airwaves". This genre was called "disco rap". Ironically, the rise of hip hop music also played a role in the eventual decline in disco's popularity. The disco sound had a strong influence on early hip hop music. The Sugarhill Gang used Chic 's " Good Times " as the foundation for their hit " Rapper's Delight ", generally considered to be the song that first popularized rap music in the United States and around the world.
Their styles differed from other hip hop musicians who focused on rapid-fire rhymes and more complex rhythmic schemes. The DJ-based genre of electronic music behaved similarly, eventually evolving into underground styles known as house music in Chicago and techno in Detroit.
Transition to recording DJ Marley Marl. The earliest hip hop music was performed live, at house parties and block party events, and it was not recorded. Prior torecorded hip hop music consisted mainly of PA system soundboard recordings of live party shows and early hip hop mixtapes by DJs.
Puerto Rican DJ Disco Wiz is credited as the first hip hop DJ to create a "mixed plate," or mixed dub recording, when, inhe combined sound bites, special effects and paused beats to technically produce a sound recording. By the early s, all the major elements and techniques of the hip hop genre were in place, and bythe electronic electro sound had become the trend on the street and in dance clubs.
New York City radio station WKTU featured Warp 9 's " Nunk ," in a commercial to promote the station's signature sound of emerging hip hop  Though not yet mainstream, hip hop had begun to permeate the music scene outside of New York City; it could be found in cities as diverse as AtlantaLos Angeles, ChicagoWashington, D.
LouisNew OrleansHoustonand Toronto. Indeed, " Funk You Up "the first hip hop record released by a female group, and the second single released by Sugar Hill Recordswas performed by The Sequencea group from Columbia, South Carolina which featured Angie Stone.
Hip hop music became popular in Philadelphia in the late s. The first released record was titled "Rhythm Talk", by Jocko Henderson. Wu-Tang Clan demonstrated how to woo with respect. The ease with which the group moves from songs about hot-blooded revenge killings to a song about flirting with dignity and respect only attests to their mastery.
Each of the verses on "Camay" is like the opposite of a club banger — every one shows how to woo a woman with respect. None of the women in the song's three verses are hoes; they're all noted for their intelligence and poise, not for their sexuality. It's like the inverse of " Bandz a Make Her Dance. Kanye preached respect for mothers. But something equally undeniable about Kanye West is that he loves his mom and it's really tender. He wrote this track to thank her for her unwavering support and praise her as a caretaker.
In a genre that often embraces an individualistic model of success, Kanye West was willing to give all the credit to his mother.
Nas warned other rappers that every woman is someone's daughter.
In his unbelievable career, he's taken on everything from race relations to gun culture. But he's equally notable in preaching gender equality.
Beginning with a baby girl's cry, the song explores his struggle seeing his daughter grow up in a sexist world. He urges all men to consider how they treat women in that light — one day, they'll have daughters who'll be subjected to every attitude mainstream hip-hop encourages.
He speaks directly to women telling them to stay hopeful and establish independence rather than relying on abusive men. The cycle of gender violence starts with the individual, if one can change; many can change. Mykki Blanco took down homophobia and brought respect to hardcore rap. She takes down her haters with an unbelievable strength, and her work is already opening the genre up to counter-narratives to what aggressive male rappers have pushed for decades.
The Roots taught us how to let a relationship dissolve peacefully. That's impressive since the song is an ode to treating a romantic relationship with respect. The song is a duet about a relationship that goes south. Rapped by incredible female rapper Eve and Black Thought, the song is a story of two lovers who watch their relationship dissolve when they begin to suspect infidelity.
That's typically ripe territory for a horribly misogynistic banger. Dre song, this kind of scene would set off a cascade of horrific and creative swears condemning all women as hoes. But Black Thought shows us how to take the high road.
This is the grace that all men and women should strive for at the end of their relationships. The song's lesson is very clearly that this kind of conclusion is only possible if a relationship is based on respect and admiration — not lust and a desire to dominate.
Outkast showed what it takes to be a "real" man. Ab-Soul took down double standards for women. Men are expected to be promiscuous, but when women conform to those appetites they get called "sluts.