The Taming of the Shrew: 'This is not a woman being crushed' | Stage | The Guardian
English Literature - The Relationship Between Petruchio and Katherina in the play The Taming relationship of Petruchio and Katherina. Need Writing Help ?. William Shakespeare's comedy The Taming of the Shrew features the marriage and relationship of Petruchio and Katherine. Although the. -Patrick in the modern movie adaptation of the play (10 Things I Hate About You) is new to the school and somewhat of an outcast, and agrees.
At the wedding, he punches the priest and later refuses to attend the family party. He drags his bewildered wife through the mud to his country house, where he starves her, deprives her of sleep and contradicts every word she says. By the time they return to her father's home, the woman is meek and submissive.
When you strip The Taming of the Shrew of its comic sub-plot, in which a bevy of lovers in disguise woo a beauty, and focus on the bare bones of the story of wildcat Katherine and her "tamer" Petruchio, Shakespeare's early play looks like a nasty piece of work.
Indeed, critics and academics have spent much of the past century denouncing it as barbarous, offensive and misogynistic. Yet Shrew is remarkably popular with audiences: Either theatre-goers are secret sadists, who like nothing better than watching a spot of wife-bashing, or there's more to Shrew than meets the eye. Over the past two decades, productions have divided into two camps.
On one side, performances emphasise the brutality of Kate and Petruchio's relationship. In this interpretation, Shrew can be considered, in director Edward Hall's words, "theatre of cruelty". His all-male production inhe says, "followed the text through to its bitterest conclusion.
The relationship between Petruchio and Katherina Paper
Look at what Shakespeare has written: Kate is starved of sleep, beaten, refused food. Hall doesn't think Shakespeare was being misogynistic in portraying female subjugation, but questioning the values of society.
What if, as a human being, she doesn't want to roll over, as was expected in Shakespeare's day? I actually think he's championing the woman's rights.
Lucy Baileywho is directing the new RSC show, believes their attraction is instant, and what unfolds is "all foreplay to one event, which is to get these two people into bed". For this to work, Bailey says, Petruchio must never appear to be superior to Kate. It becomes punitive, and you start to think, 'This is dead and ghastly. Gregory Doranwho directed the play for the RSC insuggests that Petruchio doesn't know how to handle their relationship because he is as much of an outcast as Katherine.
He points out that both characters are frequently described as mad: Petruchio has no intentions of using wooing techniques during their short courtship to win her over, he is more concerned trying to have an obedient wife rather than a loving woman.
His taming tactics can be seen as abusive or detrimental to her psychological health. They continue to banter back and forth for the remainder of Act 2, Scene 1 until Petruchio declares to everyone that they will be married on Sunday.
At this moment in time in the play, to the average audience member, it would seem unlikely that this is domestic abuse. Their insults towards each other can be seen, at most, a form of emotional abuse. Regardless of viewpoint, their relationship is far from a healthy one. According to the National Domestic Violence Hotline, a healthy relationship is one where partners listen to each other and treat each other with respect.
From what is seen of Act 2, Petruchio and Kate are unwilling to compromise and form understandings of one another. They constantly criticize and are disrespectful towards each other. If Baptista had an intimate acquaintanceship or friendship with Antonio, the Baptista would have known Petruchio either by sight or name.
Petruchio only knows Kate for one scene in Act 2 before the decision is made that the two shall marry. Their physical and verbal interactions in Act 2, Scene both reflects signs of physical abuse and illegal actions in the rules of courtly love. This couple have been left to have a conversation unsupervised, without the presence of a male family relative.
It is typical of a performance of The Taming of the Shrew that Petruchio and Kate begin to wrestle and physically strike each other during their verbal battle of wits. Touching, even holding hands, was taboo in terms of courtship.
By Act 4, Petruchio finds ways to physically abuse her after she is made his wife without touching her.
The Taming of the Shrew: Tough Love or Domestic Violence? | So There's That…
Petruchio frequently forbids Kate from eating and sleeping until she submits to him. He starves her until she grovels at his feet and becomes grateful that she is married to him. Besides Petruchio keeping Katherine sleep deprived and not through the method of excessive lovemaking on their honeymoon as newlyweds often do and starving his new wife, Petruchio has been emotionally manipulative as he controls her appearance.
After leaving immediately after the wedding and before the reception in Act 3, Petruchio forces Kate to leave without properly saying goodbye to her family and packing for the trip. In Act 4, Katherine remains in her old filthy wedding gown, having been ruined mostly on the journey. In Act 4, Scene 3, Petruchio has had a Tailor fashion her a new dress. Petruchio has tempted Katherine with a new dress and he forces her to remain in rags.
The Taming of the Shrew: Tough Love or Domestic Violence?
From the moment the two wed in Act 3, Petruchio segregates Katherine from her family. He continues to isolate her by taking her to his house in the country, a place she has never been before.
In her alienation, Katherine gathers the desire to return to the family she argued with frequently and at times, despised. Petruchio denies her requests.